Frets on fire pixies where is my mind

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Doolittle closes with a retelling of the Old Testament story of Samson, who shorn of hair and his eyes gouged from their sockets, wrought his revenge by pulling down the temple of Dagon. The Pixies opening for us is like The Beatles opening for us. The rhythm guitar is all powerchords, and Santiago fires off a ramshackle four-bar solo that sounds constantly in danger of falling apart.

As Surfer Rosa lacked any obvious singles, 4AD boss Ivo Watts-Russell asked the band to record an alternate version of Gigantic with Gil Norton, landing the producer the job for Doolittle the following year. At Downtown Recorders studio in Boston, Thompson and Santiago stacked up guitar parts to produce the dissonant chord strike that introduces the song.

The band have never been comfortable with the song, deeming it too commercial and rarely playing it live. It was left off both Come On Pilgrim and Surfer Rosa , with Norton battling through countless versions before arriving at the finished cut. Come On Pilgrim is named after the catchphrase of Christian rock singer-songwriter Larry Norman, who Thompson saw play at a religious summer camp when he was a teenager.

Santiago piles in for the choruses, personifying the wave of pollution Thompson depicts, with the strings section playing on the fly having arrived to find no charts had been drawn up for them. Doolittle charted at No. The album went on to be Platinum certified on both sides of the Atlantic. The spotlight is thrown once more on Santiago for an incendiary outro section layered up by producer Norton.

An indie disco classic was born. Already a huge cult favourite despite never being released as single, the song was delivered to a whole new audience when it featured at the denouement of box office smash Fight Club.

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